JANE JOSEPH
| 1942 | Born, Surrey |
| 1961 - 65 | Camberwell School of Arts & Crafts |
| 1965 - 66 | Leverhulme Travelling Award |
| 1989 | Invited artist, Pécs Workshop of Graphic Art, Hungary |
| 1991 | Abbey Award in Painting, British School at Rome |
| 1995 | Abbey Award in Painting, British School at Rome |
| Solo Shows | |
| 1973 | Morley Gallery, London |
| 1982 | The Minories, Colchester |
| 1987 | Angela Flowers Gallery, London |
| 1989 | Flowers East, London |
| 1992 | Flowers East, London |
| 1994 | Edinburgh Printmakers |
| 1995 | Chelsea & Westminster Hospital, London |
| 1997 | “Drawn in Place”, Morley Gallery, London |
| 1999 | Scarborough Art Gallery |
| 2000 | Twenty Etchings for Primo Levi: Morley Gallery, London |
| Hebrew Union College, Jewish Institute of Religion, New York | |
| Italian Cultural institute, London | |
| “Black/White“, The Stanley picker Gallery, Kingston University | |
| 2001 | “Inside/Out“, Worcester City Art Gallery |
| 2002 | “Etchings 1985 - 2001“, Victoria Art Gallery, Bath |
| 2004 | “Commonplaces“, The School of Art Gallery, Aberystwyth |
| 2012 | “Etchings for Primo Levi”, Mostyn Gallery, Llandudno |
| 2013 | “Imprints”, New Hall, Murray Edwards Collage, Cambridge |
| “Common Grounds”, Eagle Gallery, London | |
| 2014 | Etchings for Primo Levi, London Jewish Cultural Centre |
| Selected Group Exhibitions | |
| 1978-2008 | Royal Academy Summer Exhibition (most years) |
| 1997 & 2003 | The Hunting Prize Exhibition, London |
| 1999 | Cheltenham Open Drawing Exhibition and tour - award winner |
| ‘Contemporary British Landscape’, Flowers East, London | |
| 2000 | Cheltenham Open Drawing Exhibition |
| 2002 | PRINTWORKS, The Eagle Gallery, London |
| 2003 | ‘The Art of Ageing’, Hebrew Union College, New York |
| 2004 | ‘Visions of London’, Art Space Gallery, London |
| 2005 | International Biennale of Graphic Arts, Ljubljana |
| 2006 | ‘Drawing Breath’, Wimbledon College of Art and touring |
| 2007 | ‘Flora’, The Eagle Gallery, London |
| ‘Prints/Publications’, The Eagle Gallery, London | |
| 2009 | “On the Fractured Stage of the Book”, Eagle Gallery, London |
| Artists at Morley, London, 1969-2009 | |
| 2013 & 2014 | Global Print and 7th International Print Biannial, Douro Museum, Portugal |
| Commissions | |
| 1994 | Chelsea & Westminster Hospital, London |
| 1999 | Folio Society, etchings to accompany “If This is a Man” by Primo Levi |
| 2001 | Folio Society, etchings to accompany “The Truce” by Primo Levi |
Public Collections
Brecknock Museum, Brecon; Government Art Collection; Castle Museum, Norwich; Unilever House, London; Imperial College, London, The British Museum, Chelsea & Westminster Hospital, London; Paintings in Hospitals; Ben Uri Gallery, London; New Hall College, Cambridge; Fitzwilliam Museum, Cambridge; Hebrew Union College, New York; Worcester City Art Gallery and Museum; Lindley Library, London; The National Art Library, Victoria and Albert Museum; Yale Center for British Art, New Haven, CT; Ashmolean Museum, Oxford; Birmingham City Museum and Art Gallery; School of Art Gallery, Aberystwyth; The British Library; The Whitworth Art Gallery, Manchester; Royal Botanic Gardens, Kew; Morley College, London; Southampton City Art Gallery; Douro Museum, Portugal.
Selected bibliography
Financial Times 25 May 1973, Marina Vaisey: “Maggi Hambling/Jane Joseph”
Architectural Review, August 1981, Deanna Petherbridge: “At the Other End of the Line”
Guardian, 21 November 1981, Valdemar Januszczac: “Works on Paper – Air Gallery”
Angela Flowers Exhibition Catalogue 1987, Mel Gooding
Art Review, August 1989, Mary-Rose Beaumont: “The Thatcher `Years”
Print Quarterly, March 1992, Michael Podro: “The Etchings of Jane Joseph” – catalogue raisonne of prints, 1971-1990
Printmaking Today, May 1994, George Szirtes: “The Etchings of Jane Joseph”
Spectator, 15 November 1997, Andrew Lambirth: “Shades of grey and urban life”
Morley Gallery Exhibition Catalogue 1997, David Cohen
Jewish Chronicle, 14 November 1997, Julia Weiner: “Shadowlands”
Jewish Chronicle,16 June 2000, Julia Weiner: “Etched on the Memory”
Royal Academy Magazine, Autumn 2000, Andrew Lambirth in “Private View”
Jewish Quarterly, Autumn 2001, Anthony Rudolf: “Commemorative Encounters”
Printmaking Today, Winter 2002, Emma Hill: “United Artists”
Financial Times, 2/3 November 2002, William Packer: “A time to take notice”
Jewish Chronicle,18 January 2008, Julia Weiner: “A rare view of common plants”
“Beckmann Variations & other poems” 2010, Michael Heller: “Within the Open Landscapes”